Archive - Feb 10, 2008

1983 Journal: Jan 20-22

January 20, 1983: The machines groan ‘midst mercury vapor cast shadows as I struggle through the cold, beat. Feeling the expanse of everything after Ivan Illych’s death. Wrapped up in thought forgetting people, yet lonely in weariness. Wrote two letters tdaoy. Tom Hoeft to leave CGA as the stock rises.

January 21, 1983: Nostalgia train. 1930 vintage. The train I used to take to Exxon. Taking it out to visit old Exxon buddy and go skiing. Very NJ. Proper upper middle class people talking tennis, college, hockey and who knows what else. And everyone is very good looking. I had dinner with Linda hence am romantic. She spoke of weirdness. So much was said indirectly. Cigarette ad with the more interesting character smoking a pipe. Setting broken down train. Characters: business man after long day, parents with children. College Kids. Freak.

January 22, 1983: Spent. A day of decadence, down the slopes, buying scotch. The rocking of the train, the full stomach, and the exhaustion. I sleep, letter from Andy. Writing is going good for him it seems. Scott with woman. My mind again on Linda. Tired, not much writing. I close my eyes and see the slope and recall my thoughts about how enjoyable and yet how foreign. Foreign as an affectation but not as an appreciation of nature.

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More about Avatars, Part 1.

Over the past few days, I’ve been spending a little time setting up my avatars on Central Grid and OpenLifeGrid. I started off by copying down all of my shape settings from Second Life and then re-entering them into the new grids. It seems like there are to be a standard for defining shapes for import and export. Doing it as a simple XML file might be a good starting place, so using the names from the Second Life viewer, I created this xml file as an example of some of how this could be approached.

I also started playing with Second Inventory. It seems like this could be a great tool to manage inventory for all the worlds you are part of. It doesn’t work that way yet, but I’ve written to the developer about how that might be a good idea. I did use it to easily extract some textures from objects I have in the Second Life main grid, and bring them over to Central Grid and OpenLifeGrid, so I now have T-shirts like the ones I wear in the main grid.

I’m also kicking around porting Lillie Yifu’s wikiHUD to some of these other grids. I meet people in Central Grid, and their definitions are not set up the way they are in the main grid, so it is harder to remember who I am talking to. To compound this, in OpenLifeGrid, they have followed the Linden Lab approach which means you have to choose from a list of names. I chose Holden as my last name there, so in the main grid and in Central Grid, I’m Aldon Huffhines. In OpenLifeGrid I’m Aldon Holden. I think I’m Aldon Beta and/or Aldon Test in some other grids. secondlife.wikia.com might be a tool to help keep track of some of that.

Meanwhile, there has been an interesting discussion about what sort of avatars people chose over on the Second Life Educators list. That will be part 2 of More about Avatars, coming up later.

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The Blessing of Mozambique Machine Guns

On the way to church this morning, we listened to part of a radio broadcast about a helping African-American Teenagers find their dramatic voices. They tied it back to the importance of remembering and telling our stories. It seemed fitting, because for me, church is a time about remembering the common stories of our ancestors and relating it to our contemporary stories and that is what happened at church in a spectacular way.

You see, he had a visit from Bishop Curry. He wore a large heavy cross and at the end or the service, he invited all the children up onto the altar and told the story of the cross. It was made out of pieces of Mozambique machine guns. When the fighting in Mozambique was over, the government got people turn in their guns in exchange for things to help rebuild Mozambique. Then, they destroyed the machine guns and asked artists to do interesting things with the remains.

It is from these parts that Bishop Curry’s cross was made. He talked about how the artists had taken a symbol of death and made it into a symbol of hope, much like how Christ had taken the cross as a symbol of death and made it into a symbol of hope. It is part of taking the common stories of our ancestors and relating it to our contemporary stories. After the service, it was brought home in even greater immediacy as we heard stories about a friend of the church who is a priest in Kenya. Her church, which was well known for its multi-ethnic nature has had to close because it would be a target of ethnic violence.

With all of this as context, Bishop Curry asked the children to join him in pronouncing the blessing at the end of the service. Fiona enjoyed making the sign of the cross from the altar and with that, I pass on The Blessing of Mozambique Machine Guns.

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