Arts
Falcon Ridge 2013 Part 1 - The Pretty Girl Game #FRFF
Submitted by Aldon Hynes on Mon, 08/05/2013 - 06:37May I suggest
Friday night at the Falcon Ridge Folk Festival Main stage; Red Molly is covering Susan Werner's song, with Susan weaving in additional harmony. The rain has stopped, but I am tired, wet and cold.
Miranda is sitting next to me bubbling over with little giggles of joy. She has had a very good day.
May I suggest to you
This is my first night at Falcon Ridge since my mother died. A week ago, Mairead left for Japan. During Dar Williams set, I Skyped her in.
May I suggest this is the best part of your life.
Dar started her set with "The Babysitter's Here".
She says do me a favor don't go with a guy who would make you choose and
Mairead has chosen Japan. She has moved halt the world away to teach English and be nearer her girlfriend. Dar ends her set, like she usually does at Falcon Ridge singing "Iowa". The whole hillside holds up their flashlights, glowsticks, cellphones, or any other source of light, turning the whole hill into a human glowworm grotto, revealing the contours of the otherwise dark cloud. I wonder how many people come to Falcon Ridge specifically for that moment. I wonder what role it plays in bringing Dar back to Falcon Ridge.
And we walk in the world of safe people, and at night we walk into our houses and burn.
Earlier in the day, Miranda stepped out onto the workshop stage at Falcon Ridge. She had volunteered to work that stage as a great opportunity to learn more stage craft while listening to great music. The big set on the workshop stage on Friday was Vance Gilbert giving a critique of various performers. Vance is a great performer and can give scathing, yet productive critiques in a humorous way, slewing as many sacred cows along the way as possible.
He asked performers to get up and play a song that they are having trouble with. Miranda got up and performed her latest song. She had played it in public the first time, the night before at The Front Porch, one of the many song circles that cover the hillside late at night when there aren't performances at the main stage. She told Vance she didn't think it went all that well and was trying to figure out what to do with it.
Miranda has a strong stage presence. She approached the mic with confidence and started her song, not showing any trepidation about Vance saying "Freeze", and then illustrating to the gathered crowd what she was doing wrong. When Vance did stop her, it was with words of praise and Miranda continued on her song, with various interruptions and suggestions from Vance, and some great play between the two of them and the person doing the sign language interpretation at the edge of the stage.
Afterwords others approached Miranda. They told her she had done great the night before and asked her to play her song again. Later, she was asked to perform at a small stage for volunteers. It was in the middle of Dar Williams set, but she was willing to miss even Dar for a chance to work on her performance. She played a twenty minute set and was followed by Vance Gilbert. Afterwards the stage manager told her, "You just got to open for Vance Gilbert!"
And that's how she won the pretty girl game.
During Dar's set, she spoke about how we are all interconnected. She may not have known how interconnected that moment was, Miranda briefly telling Mairead about her experience and then all of us listening to Dar on a hillside in New York and somewhere in Japan, tied together via technology.
This is the best part of your life.
The Supermoon cannot be stolen
Submitted by Aldon Hynes on Sun, 06/23/2013 - 20:17I continue to be overly busy so I am not getting as much writing done as I would like, but I've got a few moments, so I thought I'd reflect on the 'supermoon'.
What does it mean when the moon reaches perigee in Capricorn, the tenth house of the Zodiac, shortly after the summer solstice? There are many different ways to look at this, so I'll try a few different angles.
Larry Sessions, a writer for EarthSky, asks the question, Does a supermoon have a super effect on us?
He finds:
A supermoon’s effects are imperceptible, far smaller than those encountered in other everyday situations, such as being near a mountain or even a large building.
He talks about this in terms of gravitational force, and finds the effect to be "about 110 milligrams, roughly equivalent to about 1/9th the mass of a paperclip." That's not much of an effect.
He did acknowledge that "the full moon can appear as much as 14% larger in the sky and 30% brighter to our eyes than at minimum size and brightness." This change of brightness to the moon is likely to be unnoticeable from one night to the next, but when someone mentions it, it can lead to observational bias. Mention to people things that happen during full moons, especially during supermoons, and people will look for the occurrence and when they observe it, generalize about it.
If enough people mention something, it can start trending on social media. It can become a fad, a meme, or a topic of the day. Enough people are talking about the 'supermoon' that it has become a top news story showing up in my Google Feed, including a link to Larry Sessions' article.
So, while the effect of a full moon at perigee may be minimal gravitationally, it can be profound psychologically. Some may think about this in terms of vampires, werewolves, and the zodiac. Yet I'm interested in other aspects. I find the moon beautiful. Anything that gets people to stop and think about beauty, to gaze on something beautiful, is, in my book, a good thing.
Tying this to science, anything that gets people to stop and consider the motions of the earth, the moon, planets, and stars, perhaps even ideas like gravity and inertia, is also a good thing.
What would it be like if everyone took a moment every day to reflect on something beautiful and to share it? What would it be like if everyone took a moment every day to think about the wonders of how the universe is created and how humans have used science to broaden their understanding of the universe?
Unfortunately, too many people have too much on their minds in terms of making money and gaining power. Perhaps, instead of focusing on the fabulous creatures, the zodiac, or even beauty and science, another reflection is called for.
There is an old Zen story entitled, The Moon Cannot Be Stolen
A Zen Master lived the simplest kind of life in a little hut at the foot of a mountain. One evening, while he was away, a thief sneaked into the hut only to find there was nothing in it to steal. The Zen Master returned and found him. "You have come a long way to visit me," he told the prowler, "and you should not return empty handed. Please take my clothes as a gift." The thief was bewildered, but he took the clothes and ran away. The Master sat naked, watching the moon. "Poor fellow," he mused, " I wish I could give him this beautiful moon."
So, I give to you this different way of thinking about the supermoon. It cannot be stolen.
"Flowers are Red"
Submitted by Aldon Hynes on Fri, 06/07/2013 - 20:54The week started off with a trip to Boston for the launch of my middle daughter's book, Don't Make Art, Just Make Something.
Have you ever noticed that
whenever someone does
something particularly well,
we call it art?The thing is, if we're always
trying to make art, we miss
out on everything else we
can make.
It was the final week of the General Assembly up in Hartford, which passed AN ACT CONCERNING DISSECTION CHOICE.
A local or regional school district shall excuse any student from participating in, or observing, the dissection of any animal as part of classroom instruction, provided the parent or guardian of such student has requested, in writing, that such student be excused from such participation or observation.
It was also Artweek at Beecher Road School, where my youngest daughter is a student. Recently, they took a trip to the Yale Center for British Art, where they saw George Stubbs painting, "A Lion Attacking a Horse". To a young girl who loves horseback riding and who has recently given up eating meat due to her love of animals, it was a disturbing painting.
Even more disturbing was when she was told to reproduce the painting in art class. She didn't want to reproduce violence and because of the subject matter, she asked if she could do a different painting. When she was told no, she did her own version where the lion was lying down with the horse. It was rejected by the art teacher. Perhaps, as Isaiah 11:6 says, a child shall lead them.
The wolf will live with the lamb, the leopard will lie down with the goat, the calf and the lion and the yearling together; and a little child will lead them.
Fiona related this to us over dinner this evening. I suggested that she should ask to reproduce paintings from de Kooning's Women series instead, but didn't go into details. I also introduced her to the song, "Flowers are Red" by Harry Chapin.
It will be interesting to see what directions her artistic express takes.
Anticipating Glass
Submitted by Aldon Hynes on Wed, 06/05/2013 - 21:36There are times when I don't write a blog post because the idea is still formulating in my mind. There are times when I don't write a blog post because I just don't have time or am too tired. Then, there are times when I have a great blog post, or perhaps a few different ones, that I have to wait to write and post them because of other timing issues.
Today, I received a direct message on Twitter that basically wrote a blog post for me for my job. At the same it sets up potential interesting personal blog posts about Ingress, the arts, and traveling to New York. Friends who have been following closely probably know the background to these pending blog posts, but the posts will have to wait until the right time.
Until a couple final details fall into place, hopefully tomorrow, the blog posts will have to wait, no matter how hard it is for me and for others.
The Secular Millennial Transcendentalists
Submitted by Aldon Hynes on Sun, 06/02/2013 - 21:08The oppressive early June heat bore down so heavily on the asphalt parking lot, you could almost hear the quiet desperation as young men walked past the old Milk Row cemetery on their way to the market. Beyond the gravestones on the second floor of a nearby building people gathered to make something as a means of combating this ennui inspired existential despair.
Some gathered around a traditional printing press printing posters for a new book, Don't Make Art, Just Make Something by Miranda Aisling. In another corner, various musicians gathered around a keyboard with guitars, drums and a saxophone to make some music. In the center of the room, various guests make a 'something' village out of recycled materials, and the author flitted around the room, welcoming guests and signing copies of her new book.
Many of the guests knew each other from the local universities, museums, coffee shops and farm markets. It would be tempting to call them something like the secular millennial transcendentalists; steeped in an interesting mix nineteenth century transcendentalism, with the growing secularism of our age, and the digital technologies of the twenty-first century.
The Judeo-Christian tradition holds that we are created in the image of a creator. So, what does that make us, if not creators? Yet our schooling and work leads us further are further from being creators, leaving the creativity to the realm of specialized professionals called 'artists'.
Yet we don't have to buy into this division of labor that divides us from a core part of our being, this alienation from creativity which leads to the quiet desperation that Thoreau wrote about years ago, and can still be seen in the sweltering parking lots of Boston. Instead, we can just make something, anything, to keep that spark of creativity alive, to fight off the ennui inspired existential despair, and reunite us with the creative core of our being.
Don't Make Art, Just Make Something. If enough people do this, it could be a movement, a new awakening, and with the political, economic and environmental realities of today, it is something we desperately need.