Arts
Smoke on the Water
Submitted by Aldon Hynes on Sun, 12/04/2011 - 19:04(While National Novel Writing Month has passed, I've written the following in the style I was exploring during the month. While it is based on my general recollections of junior high school, I cannot vouch for the accuracy of the memories.)
It was about forty years ago that I went to my first junior high school dance. It was around the time that my parents were breaking up and my mother drove me in old green Chevy pick up truck to the regional high school. With anticipation and apprehension, I dressed up in some nice school clothes. I didn’t have any fancy clothes to speak of, it wasn’t a fancy sort of dance, and I probably would have felt even more awkward if I had to where something nice. My older brothers, already in high school, and having been to various school dances made snide comments, and my younger sister, still in elementary school and a Partridge Family fan wanted to find some way that she could go on such a grand adventure. My mother sensed my uneasiness at the event, and told her to stay home as she drove me to the dance.
Back then, I was a nerd, before it was cool to be a nerd. I enjoyed talking about academic subjects, especially math. I had gone from playing clarinet in the school band to alto clarinet, on a journey that would lead me to saxophone, bagpipes, and any other instrument I could get my hands on. Yet actually performing, or for that matter, sufficiently practicing the clarinet, was something that terrified me, almost as much as talking to a girl, or letter her know that I liked her.
The drive to the school was a little over seven miles. It was fifteen minutes of just me and my mother. She tried to get me to talk about who would be there. I mentioned some of the boys that I thought would probably be there, but didn’t mention any of the girls, especially not mentioning the girls I thought were cute or hoped to dance with.
Like so many school dances, this one took place in the gymnasium. The room wax dark and decorated with crepe paper. Up near the front of the gym, the band was set up at the east end. I walked around a little the large room for a little bit to try and find my friends. Like all the boys, they were on the north side of the gym. We stood around and looked timidly across the floor to the south side where the girls were gathered in similar clusters. Some of the more popular and self possessed kids took to the dance floor. They seemed to be having a good time, and I longed to join.
We did not listen to much music at our house. There was an old radio in the corner of the kitchen that we would listen to on snowy mornings to hear if there was a school cancellation. We eventually got a small record player and we listened to records we checked out of the town library. My sister purchased a single or two, and it seemed like there would be weeks on end that I heard “If you’re going to San Francisco…” playing over and over on the record player.
I remember listening to the Beatles when we checked out one of there albums and I would mangle Hey Jude, horribly. Some of my neighbors, older boys that were closer friends with my brothers and played in one of the many typical high school bands, would endlessly try to get me to sing Hey Jude a little better, but I just couldn’t tell what I was doing wrong. I also listened to a bit of Simon & Garfunkel. “I am a rock” seemed to capture my social abilities of the time.
At the dance, there would be various songs that the band would play that would encourage me to ask a girl to dance. When “She was just seventeen” came on, my heart would go boom as I crossed the room to ask one of the girls to dance. I would be terrified that they would say no, and perhaps even more terrified that they would say yes. Yet instead of dancing through the night, we would dance one dance, and then awkwardly exchange niceties before retreating back to our respective sides of the gym.
Another song that I really liked to dance at in those says was “Smoke on the Water”. I didn’t know what the words were. I just recognized the four measure riff and anticipated singing along to the chorus, “Smoke on the water, fire in the sky”. When the familiar opening chords were played, I would walk across the floor and try to get someone to dance with me. I was more comfortable with this song. I could simply enjoy dancing to it, without worrying about everyone looking at me or what my partner might be thinking.
When the dance was over, my mother would pick me up in the green pickup truck for the long fifteen minute drive home. She would ask if I had fun and whom I danced with. I would mumble about having had a good time and maybe name a girl or two that I danced with.
The days have passed and my two eldest daughters have been through their school dances. Perhaps I was projecting, but it seemed like Mairead’s experiences at school dances mirrored my own. Miranda seemed to have a much better time at the dances and would be much more talkative afterwards.
All of these memories come to mind, as I visited a blog I enjoy today. The Modern Historian has blog posts about things that have happened this day in history. Today is the fortieth anniversary of the Montreux Casino fire in 1971 that smoke on the water is all about.
Instead of looking for the old grey portable record player we had as a kid, I typed “Smoke on the Water” into Spotify and listened to the original, as well as a bunch of interesting covers of it, from a workout video to a bagpipe cover.
Music Monday - Revival: A Folk Music Novel
Submitted by Aldon Hynes on Mon, 08/08/2011 - 06:28Kim and I have very different reading styles. Her dresser is covered with stacks of novels waiting to be read, next to a flashlight so she can keep reading after I fall a sleep. She jumps into the novels and canb read them a novel at a time. Me? My computer screen has dozens of tabs open, as I hop from Facebook to Twitter and Google+. There are blogs and news stories I hop between. During those rare times that I actually try to read a novel, I typically read them about a page at a time. After a few sentences I have to pause and wonder. Social media is probably better suited to my adult ADD mind.
So, Kim has already finished reading Scott Alarik’s “Revival: A Folk Music Novel” which she picked up at the Falcon Ridge Folk Festival. Me? I’ve been working on it for a while, and am only on page sixty. There is so much in there that I want to savor.
Yet, to me, it isn’t about the story or the characters. Nathan, Kit, Ferguson, Jackie, Murph, Ryder, Randy? Sure, they are not “based upon, or intended to resemble, any person living or dead”. Yet they do resemble so many of the people that I see every year at Falcon Ridge, the people that gather up at The Longue on Thursday night, or at the Main Stage on Friday afternoon during the Emerging Artist Showcase. They are the people that I talk with as I head from the dance stage to the workshop stage. They are my people.
No, there is something else, more important running just below the surface. It is the lectures of Ferguson and Nathan, and the underlying story.
Ferguson again closed his eyes and spoke in a measured cadence. “As near as I can tell, the difference between art and craft is that art is always trying to tell the truth. Any old chair is not art but a Shaker chair is. Why? Because a Shaker chair tells us something about the people who built it, who they were, what they believed, how they lived their lives.”
Ferguson opened his eyes, smiled at Ryder, and said, “That Texas guy made me wonder if there was anything he really wanted to say about himself. Anything true, anything real. Anything that made him so sad or happy or pissed-off that he wanted to shout it out loud to see if anybody else felt the same way.”
He gently poked Ryder’s chest with his finger. “Doesn’t anything piss you off like that, so much that you want to howl it for the whole world to hear?”
“Like what?” Ryder squeaked. He was in way over his head.
“Like what?” Ferguson bellowed, then reined himself in. Jackie cleared her through to keep from laughing. Nathan smiled at her.
Ferguson knows folk music, but it is more than just about folk music. It is about writing, about art, about living your life. It resonates with me.
There are times that I have been so mad as I write blog posts, my hands shake. I have to steady myself. There are times that I have been so sad, that I struggle to keep back my tears as I write. There is an old image I have about writing, something about opening up a vein and letting it flow on the paper. But I write on my computer, so it is more like hooking a USB port directly into my nervous system and feeling all of my energy drain out of me into my blog posts.
To me, that is what Alarik is writing about. Whether you want to be a good folk musician, a good blog, or just a good person, you really need to read, and ponder this novel.
Later on, there is a brief line, easily skipped over if you read the novel too quickly. “Folk music taught him that our most ordinary mornings can be the stuff of song.” The same applies to any good writing, and especially to blog posts.
Yeah, I try to pump out a blog post every day. Sometimes, it is just exercise, keeping my mind and my typing fingers nimble. Other times, I just can’t stop writing. Alarik’s novel drives me to keep on writing.
An Homage to Home
Submitted by Aldon Hynes on Thu, 08/04/2011 - 20:18
I knew this place, I knew it well,
Every sound and every smell,
And every time I walked, I fell
For the first two years or so
On Tuesday, we went to a memorial for my Uncle Roger who passed away last fall. It took place out on Cape Cod, a place where Roger and his wife Marge had gone for sixty of their sixty-two married years. My cousins were there, three men whom I don’t believe I’ve seen since they were boys over thirty years ago, yet there we were, family. While our family trips had been mostly to other parts of the Cape, the words of David’ Mallet’s song, I Knew This Place, came back to me.
There across the grassy yard,
I, a young one, running hard,
Brown and bruised and battle scarred
And lost in sweet illusion
My cousin Scott told stories of growing up. My grandfather died when my father was twelve and Roger was thirteen and they both worked hard through out their childhood, so much so that when my uncle joined the navy as a strong wiry young man, he astounded the folks at basic training with his ability to do pushups. The story came back to me as I read an op-ed suggesting that perhaps for lesson in shared sacrifice, we should send Congress to boot camp.
Scott talked about growing up in Waterbury, CT, before moving to Albany, NY. I always thought of my uncle, aunt and three cousins as being the ‘Albany Hyneses’ and hadn’t heard much about the Waterbury days. Scott told stories about how his parents had built a basketball court in the backyard, as well as other things to keep the kids at home, and in many ways, their house became the gathering place for the kids in the neighborhood, as Roger and Marge kept a close eye on everyone. It harkened back to a day when families and communities were stronger.
Scott traced the family’s travels to Pittsburgh as the Steelers ended their winning ways and then to Baltimore when the Colts slipped out of town under the cover of night, watching local meat packers close down with the advent of refrigerated trucks and more centralized packing.
By then the kids were all off on their own, and I suspect the house wasn’t that much like the House in Baltimore that David Glaser sings about,
grew up in a house in Baltimore
We marked our time with presidents and wars
and our days fled like a passing summer storm
In that little house in Baltimore
Yet one of the verses captures some of my memories of being a kid back in those days,
Dad, he worked a lot - we never saw much of him
Sometimes on sunday nights - we would gather round the TV
Widen our eyes - to the Wonder World of Disney
Family night - the Twister mat spread on the basement floor
My mind wanders back to “I Knew This Place”,
And as these thoughts come back to me
Like ships across the friendly sea
Like breezes blowing endlessly
Like rivers running deep
Life was really hard on me when my first marriage fell apart. I spent time talking with a therapist as I tried to make sense of all of it. At one point, she asked if what I was looking for was a “Father Knows Best” type of world. Not being much of a television fan, and being a strong believer in equality, I said I didn’t really think that captured things, but as we explore the idea she was trying to communicate, something about strong families staying together through tough times, it seemed like there was at least something to the idea.
Home is an important idea, not necessarily the fifties home that David Glaser sings about, although that may be closer to my ideal that much of what passes for family life these days. Perhaps a little bit closer is the home that David Carter and Tracy Grammer sing about in “Gentle Arms of Eden”,
This is my home, this is my only home
This is the only sacred ground that i have ever known
And should i stray in the dark night alone
Rock me goddess in the gentle arms of eden
So, how do I tie this all together? Perhaps by pulling in a few other songs about home, like Paul Simon singing Homeward Bound,
Homeward bound, I wish I was homeward bound
Home, where my thoughts escape, at home, where my music's playin'
Home, where my love lies waitin' silently for me
Then, upon returning home, Crosby, Stills, Nash and Young can finish it off with “Our House”
Our house is a very, very fine house
With two cats in the yard
Life used to be so hard
Now everything is easy
'Cause of you
Wordless Wednesday
Submitted by Aldon Hynes on Wed, 07/27/2011 - 14:41The Falcon Ridge Moon
Submitted by Aldon Hynes on Tue, 07/26/2011 - 19:07As I pulled the 2005 Grey Prius laden with camping gear off of Route 22 in Hillsdale, NY onto a small farm road, and then into a field, my wife proclaimed to our nine year old daughter in the back seat, “We’re here!”
I rolled down the window and spoke to the young man standing in the field. He echoed a similarly excited welcome to us. The day before, there had been volunteers on the road holding up signs saying, “Welcome Home.”
I told him how our GPS would always say as we approached our destination, “You have arrived!” I’ve always thought that was an especially appropriate announcement at the end of a long road trip, and it held especially true for that moment in time when we arrived at the Falcon Ridge Folk Festival. Not only were we arriving physically, but there was some sort of emotional or perhaps spiritual arrival as well.
I’ve gone to Falcon Ridge pretty much every year since 1994. My wife Kim has always gone since we met, and Fiona first kicked her feet to the music of a drummer on the main stage a few months before she was born. The words of Dave Carter and Tracy Grammer came to mind
This is my home, this is my only home
This is the only sacred ground that I have ever known
It was going to be a hot weekend, so we set up camp as quickly as possible and headed to the local State Park; an old quarry turned into a swimming hole. Everywhere we turned we ran into people who had become our friends in previous years of the folk festival. In the evening, I listened to some music up at the Lounge stage, and the next morning we headed off to the dance stage.
Falcon Ridge is a place where I’ve always felt comfortable letting my children run free. It is a safe, loving community. This would be the year that Fiona would start pursuing this freedom, especially if it meant more time at the dance tent. Friday morning, I headed down to the dance tent with her and ran into some friends who were struggling to make ends meet. They talked about their part time jobs and the goals of making enough money to feed, clothe and shelter the family, so that they could spend as much time on creative community oriented tasks as possible.
The idea stuck with me as I later listened to a performer introduce a song. She spoke about having watched a bunch of documentaries like Fast Food Nation or Gasland and wondered what had gone wrong with our country that we were allowing men corrupted by greed to destroy our nation. I thought about the impasse in the debt ceiling negotiations in Washington. I thought about some of the extremely wealthy folks I had worked with on Wall Street who seemed incapable of soaking in the enjoyment of a gathering like Falcon Ridge.
Now there's smoke across the harbor, and there's factories on the shore
And the world is ill with greed and will and enterprise of war
I often come back to Maslow's hierarchy of needs. How is it that some of the richest people I know are stuck in the lowest levels of Maslow’s hierarchy of needs, seeking to satisfy only their physiological and safety needs, even when they have more money than they could ever spend, when money simply becomes their way of keeping score in the game of life?
Yet here I was, surrounded by people just barely meeting their physiological needs so they could focus on other things like loving, belonging, esteem, self-actualization and self-transcendence. Falcon Ridge is a place where we feel loved and belonging. It is a place where people live up to creative potentials.
It is an inclusive community where all religious beliefs are honored. Yet I return back to the religious framework of my formative years. I’ve always thought of humans as being created in God’s image. Yet what is that image? It isn’t white skin, or brown, two eyes and a nose. No, the essence of our creation to me has always seemed to be about being creatures capable of creating, of loving, and of forgiving.
Later in the festival, I listened to Red Molly perform Susan Werner’s great song, “May I suggest”
May I suggest this is the best part of your life…
This time is blessed and shining almost blinding bright…
My mind returned to those who seem incapable of savoring the best part of their lives, to the people I have worked with on Wall Street and in politics that have gotten stuck fighting to run up the score in their financial balance sheets at the expense of being able to find love, belonging and esteem. My mind went to the words of Woody Guthrie’s song, “Pretty Boy Floyd”.
Some will rob you with a six-gun,
And some with a fountain pen.
It then drifted to the great old Zen Story:
Ryokan, a Zen master, lived the simplest kind of life in a little hut at the foot of a mountain. One evening a thief visited the hut only to discover there was nothing to steal.
Ryokan returned and caught him. "You have come a long way to visit me," he told the prowler, "and you should not return empty-handed. Please take my clothes as a gift."
The thief was bewildered. He took the clothes and slunk away.
Ryoken sat naked, watching the moon. "Poor fellow," he mused, "I wish I could have given him this beautiful moon."
I looked around at the crowd on the hill enjoying the music and the moon over Falcon Ridge, and I thought about the poor fellows fighting to defend taxes breaks for the wealthiest and wished I could give them this beautiful Falcon Ridge moon.