Arts
The Arts section of Orient Lodge
Music Monday – Harpeth Rising, Changed More Than I Know
Submitted by Aldon Hynes on Mon, 06/07/2010 - 05:02Harpeth Rising is simply a joy to listen to. They were one of the first bands to submit their music to the Orient Lodge Music Review Page on SonicBids. I listened to their music and decided they were one of the bands that needed to be highlighted.
Perhaps the song that appeals to me most is their song, “Can’t Find the Revolution”. It talks about a woman who “used to be a rambler...now she’s trapped inside a swivel chair”. The final line of the chorus is something like, “Can’t find the revolution, but I’m looking every day”. Another verse talks about a guy who
...used to be a poet and a minstrel by his trade
I strum along beside him when I could
Now he’s pushing the assembly line
and my strummin’ don’t do no good.
Another line that jumped out at me towards the end of the song was when the singer was told that she changed more than she knew.
Another song that particularly appealed to be was “Abraham”
Abraham Abraham
Where you goin' with that knife in your hand?
Why are we lost in this foreign land?
Where we goin now Abraham?
It made me think of the great work by Soren Kierkegaard, “Fear and Trembling” which presents another view of the great story of Abraham.
In looking at their website, I found a link to a very interesting music video that one of their fans had made:
I was glad to see that they we’re highlighting such a creative remix.
Their calendar lists them as having performed at the 8th Annual Niles Bluegrass Festival in Niles Michigan this last weekend. It sounds like it was a rainy weekend there and I hope they got a chance to perform. Over the coming days, they will be performing in Indiana, Kentucky and Wisconsin. Then in July, they head off for the United Kingdom. They recently did a tour of the Northeast and hopefully will be coming back soon.
Music Monday – Memorial Day
Submitted by Aldon Hynes on Mon, 05/31/2010 - 08:33
Music Mondays – Blog Mentor, Randy Burns
Submitted by Aldon Hynes on Mon, 05/24/2010 - 09:26Every Sunday evening, bloggers gather on Twitter for a #blogchat to talk about blogging. These chats cover many different topics, and last night @alisonlaw asked, “who are/were your blog mentors?”
I replied with my typical response of E.B. White. His essays for the New Yorker brought personal observations to political issues. They had an authenticity that good bloggers are striving for today.
This came back to me this morning as I prepared to write my Orient Lodge Music Review post for the week. One person who submitted his music was Randy Burns. In my book, Randy Burns is up there with E.B. White as one of those writers that bloggers, and for that matter singer/songwriters should look to as a mentor.
His biography describes the start of his career this way:
In 1966, Randy Burns was dropped off on the corner of Bleecker and MacDougal Street, with a bag over his shoulder and a guitar in his hand…ready for anything Randy had gotten his start a year earlier at The Exit Coffeehouse in New Haven, Connecticut but soon left to join the Urban Folk Revival in Greenwich Village. The first three months he slept in flop houses, on subways and park benches in Washington Square Park. Every week he played the open mic nights at the original Gerdes Folk City, The Gaslight Café and The Bitter End. Impressed by his talent, Clarence Hood, the owner of the legendary Gaslight hired Randy as the permanent opening act. At only eighteen he was opening for the biggest folk stars in the country, artists he’d only heard on records.
…
Frustrated with the music industry, Randy returned to his folksinging roots and hit the road again as a folksinger. For years he was literally homeless – ‘It would have been a waste of money,” he says, “I was singing so many places that I’d leave a bag of clothes wherever I usually played so I could travel light.” A headliner at Kenny’s Castaways, in the late 70s, owner Pat Kenny arranged for Randy to tour Ireland. It was off to Dublin, where he played coast to coast two years in a row.
It wasn’t until the early 80s that I started visiting the clubs in Greenwich Village, so I probably missed him there. A little over a year ago, he did a concert at the First Presbyterian Church in New Haven. I missed that concert as well. It was my loss, but it did stop the hall from filling up to capacity.
The first song in his Electronic Press Kit is “The Simple Things”. It starts off, “I’ve always loved the simple things. And I guess I’ll always will”. I’m with Randy on that. Reading some E.B. White, listening to some of Randy Burns songs, these are parts of the simple things for me, and are also important factors shaping my writing.
It’s time for a new generation to discover Randy Burns. He has a new album coming out next month, and he will be participating in the Folk City at Fifty early next month. They are well worth checking out.
Music Monday - Jill Cagney, The Ultimate Mommy Bloggers’ Folk Musician
Submitted by Aldon Hynes on Mon, 05/17/2010 - 09:05Jill Cagney is the ultimate Mommy Bloggers’ Folk Musician. I came across her music as I was reviewing the Sonic Bids Submissions to the Orient Lodge Music Review. In terms of music, hers was not my favorite. It was not the most polished best written material out there, but it had a feeling of edgy authenticity that could not, and should not be overlooked.
I guess this is part of the reason I think of Ms. Cagney as the ultimate Mommy Bloggers’ Folk Musician. There are many Mommy Bloggers that I love to read on a regular basis that are also not the most polished best written material out there, but also have a feeling of edgy authenticity that needs to be paid attention to.
Beyond this, Ms. Cagney describes herself not only as a musician, but also as a “social worker, mother, writer, and surprisingly good pool player!” I tend to think that any good mother, or sufficiently involved father is likely to feel some kinship with Ms. Cagney. While we might not be professional social workers, once our kids get to the point of play dates, Queen Bees, and first crushes, we end up doing a little bit of social work as part of our parenting, and if we write authentically about what is going on in our lives, we just might echo a little bit of Ms. Cagney’s voice.
Anyone with kids is likely to recognize themselves saying words like Ms. Cagney in her song Kids:
Trying to keep up with you is like trying to run a marathon in a high heeled shoe
It's like trying to catch a dragonfly with a fishing pole
What goes on in your head I just don't know
Those of us who spend a lot of time online are also likely to find some of the words in her song “Facebook” about fifteen hundred forty-three friends and photoshopping ones overbite sound very close to home. You can become a fan of her on Facebook.
On Facebook, or Jill Cagney’s website you can find out that she will be playing at the City Ale House in Danbury, CT on June 11th and then at Rockin Joes in Westfield, NJ on June 17th. Later in the year, she will be appearing at Indiegrrl Conference and Festival in Knoxville.
So, if you like edgy authenticity, take a moment to check out some of Jill Cagney’s music.
#FF
Submitted by Aldon Hynes on Fri, 05/14/2010 - 09:55@RobDrabkin @nhso @ripple100 @andreayap @AmyDesmarais @jwierin @shesosocial @JaymesGrace @timtracey @followcb @MatthewBrowning
It may seem strange to include @RobDrakin, an obscure rock musician from Denver Colorado and the New Haven Symphony Orchestra which has been performing in New Haven for over a century, but there is actually an important theme.
Recently, I wrote a blog post entitled High Speed Social Fiber. It was about New Haven’s efforts to be a test bed for Google’s High Speed Fiber project. I mentioned how @andreayap and @ripple100 have been working with others to promote New Haven using social media. I suggested it is strengthening the social fiber of New Haven, whether or not New Haven gains the benefits of Google’s Fiber.
Thanks to Andre and Ripple100, a group of people interested in the use of social media to strengthen the fiber of communities attended last night’s performance by the New Haven Symphony Orchestra. It was a great performance.
As I listened to the majesty of Beethoven’s Eighth and Ninth Symphonies, I thought of the themes running together; starting in the violins, echoed in the basses, taken up by the horns. It reflected, for me, the nature of social media. While there is something beautiful about a solo violin, or a single message online, there is also great beauty achieved when the message or theme is repeated and moves from section to section. It applies to a symphony of social media as well as it does to a classical symphony. The folks that Andrea and Ripple100 gathered for the symphony last night are some of the best performers in the social media space.
So, what does this have to do with Rob? He, like Katie Garibaldi whom I mentioned last week, is a young musician who is using Twitter to promote his music. Will he join with other online musicians to create some sort of new symphony of social media? I hope so.
