The Politics of Adopted Identity

For the past few days, I’ve been very focused on the story of Rachel Dolezal, the woman in Washington who has passed for a black woman for many years. You can see this in my recent blog posts. Why are we, as a country, so interested in this? Some suggest that it is because she lied. However, politicians lie all the time. So much so that there is the old joke:

How do you know if a politician is lying?
His lips are moving.

So, I don’t buy that it is because she is lying. Some of this may be because it is manufactured by conservative bloggers, who seem to dislike anyone who works for civil rights. Conservative blogs appear to be really enjoying this. Some of this may be because of issues of cultural appropriation. Although, when you look at it, it appears as if her she has appropriated much less and is much more friendly to the culture she is adopting from than so much cultural appropriation we see today.

For me, perhaps the biggest issue is one of identity. How do we identify ourselves? Black? White? Male? Female? Straight? Gay? There are many labels we can use on ourselves. There are many labels we can use on others and others can use on us. Yet these labels may not always feel right. We may feel that our real gender is different than our biological gender. We may feel that our sexual orientation is different from what is dominant in the culture. Perhaps, we may feel that our race or ethnicity is different from the race or ethnicity we were born into.

As an aside, it is curious to think about how social media is feeding this. As I write this, my youngest daughter says, “Can you guess what decade I belong in?” She had just completed one of those many quizzes that suggest our identity might be different from how we were born. Social media is telling us about the fluidity of identity.

Add to this, advertising. If we want an identity that will be accepted by others, all we have to do is buy the right products to look darker, lighter, have straighter or curlier hair, wear the right clothes, etc.

Recently, I’ve had some experiences that have gotten me thinking about my identity. Who am I, really? What do I desire? How does this relate to how people see me? How does this relate to how God sees me? How does what I desire relate to what God desires for me?

In one book I’m currently reading, “The Wounding and Healing of Desire” has a great line, “It is the wisdom of Christianity to understand that we are so wounded we do not know who we are.”

Now some people will suggest that at least we know who someone’s parents are. To go back to Rachel Dolezal, her biological parents are both white and say she is white. Yet this comes back to another idea from Christianity.

In Mark 3:33-35 Jesus says, ""Who are my mother and my brothers?" And looking at those who sat around him, he said, "Here are my mother and my brothers! Whoever does the will of God is my brother and sister and mother.""

I would imagine that for her, and for many of us, doing the will of God means, at least in part, fighting for civil rights. Who is Rachel's father? Whoever fights for civil rights. Yes, Rachel perhaps has many black fathers.

Here, I will go to another verse. In 1 Corinthians 9:22 Paul says, “To the weak I became weak in order to win the weak. I have become all things to all people so that by all possible means I might save some of them.”

So, by becoming black, Rachel is standing in the tradition of the Apostle Paul.

Then, there is the artist angle. Rachel received her Masters of Fine Arts from Howard University as a white woman married to a black man. One aspect of art is to get people to look at the world around them in a different way. As a piece of performance art, intentional or unintentional, Rachel has excelled in this, propelling the discussion about the social construction of race into the limelight. This is an area I’m especially hopeful about. By getting more people to think about racial identity, she may do more than all the handwringing Facebook posts about police brutality.

This gets to why what she has done is so radical. It joins with a great Christian and artistic tradition of challenging the way we see the world, in the way we understand our identity, and ultimately, in the way we live.

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